[Road to Najmi]
Once they're out on a road not pockmarked with stones and potholes -- or, at least, dotted with fewer of them -- the constant jostle of the cart settles into an easy, rolling rock from side to side.
Given his usual lack of sleep the night before, it isn't terribly surprising that that's enough for Gaeta to slip into a light doze, leaning against the back wall with his bag bunched up like a pillow.
Given his usual lack of sleep the night before, it isn't terribly surprising that that's enough for Gaeta to slip into a light doze, leaning against the back wall with his bag bunched up like a pillow.
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His voice is deeper than Gaeta's, and he's singing slower, more tentatively; a few times he stops to correct himself, and once stops to look at Gaeta for the next line.
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Just to be certain Azimar has the right of it, he continues to sing as the bard goes on. It's much softer: something meant for support, not performance.
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"But wish no more; my life you can take..."
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Taking something this personal and painful out beyond Galactica's sickbay, where anyone can hear it or sing it for themselves...it's why Gaeta told the truth, when he said he rarely sang in public.
But as he continues, Azimar's voice clear and fine and Gaeta's laying an unobtrusive platform beneath it, something eases below his sternum. It's a strange feeling; not because he hasn't felt it before, but because he has.
"To have her please just one day wake..."
In fact, it reminds him of nothing so much as his last night on Galactica, chain-smoking with Gaius and telling -- confessing -- everything, from the most mundane childhood events to his quiet fears. Not of what waited for him the next morning, but of what he'd be leaving behind.
Against his stump, his hand loosens its grip.
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"To have her please ... just one day wake."
He lets the last note die away, and once again lets out a slow breath.
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For a moment, it's completely quiet save the squeak of the cart wheels.
Gaeta finds that he's smiling.
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"And you don't sing often?" he says, in some disbelief.
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Another small shift, this time to draw his metal leg a few inches closer.
"I wouldn't call it a tragedy or a gift."
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(Kaya's gone completely quiet, still watching but hoping they'll forget she's there.)
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Gaeta tips his head back, resting it against the cart wall.
Softer, "Or healing, maybe."
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(Gaeta has indeed, for an instant, forgotten that Kaya's there.)
"It's how I got through losing my leg," he murmurs. "I'd..." And then he lifts his head, curious. "Have you met anyone else who had this happen to them, too? Did they tell you about it?"
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More often, of course, he wishes that he'd never lost it at all. But.
He takes a small breath. "After you go through an amputation, sometimes it feels like the limb's still there." A far more faint and rueful smile twitches his lips. "And most of the time it hurts like a motherfrakker. It's all psychological, though, it's -- just in your head; so when it happens, there isn't any medicine you can take to make the pain stop."
A sidelong glance to Azimar.
"So I'd sing, to get my mind off of it. It made the phantom pains hurt less."
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"Phantom pains," he repeats softly, in appreciation of the phrase. "Pain's ghost, dead but lingering. And singing ... banished the ghosts? At least for a while?"
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"A little bit," he answers. "And...yes. For a little while."
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"And that was how you came to begin to sing?"
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"So if you wanted to call it a gift," he murmurs as he thinks it over, "I guess you could. But it's more like the scales being balanced out. You lose one thing, you gain something else."
And by and large, that's better than most of the last four years, which saw far more loss without a balancing gain.
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Enough so that he's giving Azimar a curious look, unsure if the other man will elaborate.
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"Surely you've noticed, friend Felix."
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It's neutral enough that it could easily be left at that.
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There's a thread of merry cynicism in his voice, and a matching tilt to his smile.
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