[Road to Najmi]
Once they're out on a road not pockmarked with stones and potholes -- or, at least, dotted with fewer of them -- the constant jostle of the cart settles into an easy, rolling rock from side to side.
Given his usual lack of sleep the night before, it isn't terribly surprising that that's enough for Gaeta to slip into a light doze, leaning against the back wall with his bag bunched up like a pillow.
Given his usual lack of sleep the night before, it isn't terribly surprising that that's enough for Gaeta to slip into a light doze, leaning against the back wall with his bag bunched up like a pillow.
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Curled up small among the bags, Kaya's watching silently as the bard plays.
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He tips his head toward Azimar as if to ask, How long has that been going on?
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A complicated little run of notes in the middle of the song, and Azimar stops, makes a faintly irritated noise, and starts over from a few bars back.
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(Then again, Gaeta is not the musician of their ragtag bunch.)
He cants his head a bit, absently lifting his other hand to his mouth. A thoughtful crease forms between his eyebrows.
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And glances up to see Gaeta watching.
There's a momentary pause, and then a faintly self-deprecating smile. "I find myself unaccountably out of practice."
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"Do you know this song?" Azimar asks with interest, almost hopefully.
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And then a little rueful, "Which...probably negates my opinion a little."
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His fingers move on the flute's stops, absently.
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He shifts position again as his right knee twinges, otherwise ignoring it.
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"It's a long story," he says. "I, ah, did a lot of detail work when I served in the military."
Among other things.
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Struck by a thought, not waiting for an answer, he leans forward. "Did you by chance learn any soldiers' songs, when you served? I've never been able to collect more than a few."
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"Nothing that's appropriate for mixed company," he says with a hint of a smirk. "Or that I think you'd understand without context."
Like the one about Starbuck that no one ever, ever sang to her face unless they wanted to be picking their teeth out of the grates.
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"It's been some time since I've been able to collect any new songs," he explains sadly.
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"I'm not much of a musician anyway. Not -- like you, I mean," he amends.
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"Sometimes, but it's not..." He trails off, trying to pick the best words, as he settles a hand on his right knee to quiet another twinge. "Really something I do publicly."
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"Not that often."
No annoyance; no anger. It just...is what it is, the simple fact of the matter.
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"Would you, though? If I asked you to teach me one of the songs of your home?"
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"There is one," he says, quiet, cautious. "I...can't remember where I learned it. I think it's something I heard when I was a kid."
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Then, very quietly: "I'd be honored and grateful if you'd teach it to me."
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And then his hand unconsciously tightens on his right leg, and he begins to sing.
"Alone she sleeps in the shirt of man
With my three wishes clutched in her hand..."
(It fills the entire cart. He may not claim to be much of a musician, but Gaeta undoubtedly sounds like one.)
"The first that she be spared the pain
That comes from a dark and laughing rain
When she finds love, may it always stay true
This I beg for the second wish I made too..."
As the song gains momentum, so does his voice, building to a sweeping crescendo on the final lines.
"But wish no more
My life you can take
To have her please just one day wake
To have her please just one day wake
To have her please...
Just one day wake."
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